This Other Simpson

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  1. - The Washington Post
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All Episodes The family recalls past tales of lost love. Director: David Silverman as Pound Foolish. Writers: Matt Groening created by , James L. Added to Watchlist. Simpsons Season 6 Ranked. Clip Shows, Ranked. The Simpsons - Season 6. Every Episode of The Simpsons, Ranked. Todas las Series que Miro.

Use the HTML below. You must be a registered user to use the IMDb rating plugin. Photos Add Image Add an image Do you have any images for this title? Edit Cast Episode cast overview: Dan Castellaneta Lisa Simpson voice Hank Azaria Lovejoy voice Albert Brooks Jacques voice archive sound as A. Brooks Sara Gilbert Laura Powers voice archive sound Phil Hartman Troy McClure voice archive sound Kelsey Grammer Sideshow Bob voice archive sound Jon Lovitz Artie Ziff voice archive sound Michelle Pfeiffer Mindy Simmons voice archive sound Marcia Wallace Edna Krabappel voice archive sound Michael Carrington Edit Storyline After reading the book 'The Bridges of Madison County' Marge ponders on whether the romance has gone out of her marriage and,next day,summons the family to talk about their most romantic moments - illustrated by clips from past episodes.

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Language: English. Filming Locations: USA. Runtime: 30 min. We caught up with Cody as he shared some golden moments from his journey so far, from swimming medals to music awards. I had another one of those moments earlier in the year when I realised that my records from these races were still holding up. I learnt recently that a kid had finally broken one of my records. I was stoked for him. I got in touch just to say congratulations — job well done! Cosby had been the biggest thing on TV for God knows how many years.

That could work. So it was a dragon-slayer story. Rupert Murdoch: We were sitting down with Barry, reviewing the schedule.

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Wally Wolodarsky: None of the writers cared [about the scheduling move]. It was just an opportunity to make fun of Cosby and be impudent about it. The writers never had a stake in the ratings; you never cared about that. That was always viewed as a business decision. Rupert Murdoch: And so we did it. And at the end of the first year, Cosby announced his retirement.

Barry Diller: In terms of ratings and financial terms it really built the network, but also in terms of giving Fox its attitude.

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Some of that was already there with Married. Many of the original writers—including Wolodarsky, Kogen, John Swartzwelder, and the team of Al Jean and Mike Reiss—had substantial television credits. But Simon also found spectacular new talent in non-traditional locations, beginning a trend that would continue long after his departure. David Mirkin, who ran the show in its fifth and sixth seasons, hired a mathematician and a lawyer.

Perhaps his key find was George Meyer, editor of a humor zine called Army Man— distributed sparingly in Hollywood in the late 80s—of which Simon was an enormous fan. What show are you on?

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They were guys who were having fun, doing what they were doing and making a good show, but they were the geekiest, most unassuming guys. Donick Cary: A lot of these guys had written on the Lampoon together in college, so they were sort of falling back into their college routine—which was, basically, to hang out all day and entertain themselves. Bill Oakley, writer—executive producer, The Simpsons —98 : From Season 2 to Season 8, there was never a time that there were less than 80 percent Harvard Lampoon graduates on the staff.

They showed me into this office and told me to start writing down some ideas.

They left me alone in that office, and I remember leaving after five minutes to go get a cup of coffee. And I heard a crash, and I walked back to the office, and there was a hole in the window and a dead bird on the floor—literally in my first 10 minutes at The Simpsons, a bird had flown through the glass of my window, hit the far wall, broken its neck, and fallen dead on the floor.

Another Simpsons Clip Show

He would spray Diet Coke all over himself and that was always a source of endless amusement amongst us. He still owes us money on his contract. I actually had to pay my way out of Fox, which always felt a little strange. Richard Appel: George did the most, of anyone I know, to sustain the voice of the show. He is a genius—his material is so strange you almost wonder how his brain works.


Wally Wolodarsky: Swartzwelder seemed to go directly from being a homeless person to a writer on The Simpsons. He was a little bit older than us and had, I think, seen a little bit more of the world, in terms of being up and down. He did have interesting preoccupations. I know for a while he was collecting wanted posters. Real Patty Hearst wanted posters. You want to buy a Hitler painting? Animation had opened up a whole new world —the world, in fact—to the creative staff. Not only could they take their characters anywhere, physically and emotionally, but there were no adorable actors to become tangled up in pubescence, no live studio audience to pander to, no laugh track. Even when Seinfeld premiered, in , certainly a step forward for the sitcom, the viewer was still being told when to laugh.

Another advantage was the cover that a cartoon provided for humor that could never be permitted in live action. Fox executives are forbidden to give notes to The Simpsons. That never happens to us.

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Josh Weinstein: Working on The Simpsons then felt like being in the graduate school of comedy, or a great comedy lab, where you could try and do anything and no one would stop you, as long as it was good or funny. That had an amazing feel. Brad Bird: There were discussions [with the network], but they were over pretty quickly. I think people felt good being under the titanium shield of Jim Brooks. Were we engaged in the early development of it, Fox network people? Did we give line notes? Not ever. I never gave line notes in my life.

What is striking about the early episodes is how sweet, and at times dramatic, they can be. The Simpsons faced legitimate problems: Homer lived in fear of losing his job; he had trouble connecting with his daughter. It was only in later years, to keep the writing interesting, that the characters became more exaggerated, as did their situations—Homer went to space; Maggie shot a man; the family created an international incident with Australia.

And who is his brain angry with? Is this really the best place to take this character? So I think one of the things that works is respect for that unit was always kept intact.